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From the deconstructed movements on \u003c\/span\u003e\u003ci\u003e‘Unfolding’\u003c\/i\u003e\u003cspan\u003e that starts the album with a snap of delayed snares, the apocalyptic drones of the title track and thundering drums in \u003c\/span\u003e\u003ci class=\"\"\u003e‘Phantom Grip’\u003c\/i\u003e\u003cspan\u003e to more restrained ambient \u003c\/span\u003e\u003cspan\u003efeels\u003c\/span\u003e\u003cspan\u003e of \u003c\/span\u003e\u003ci\u003e‘Dreamer’s Wake’\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e‘Rest’\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e‘Untravel’\u003c\/i\u003e\u003cspan\u003e. 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If you’ve ever wondered what a bath full of ecstasy might actually sound like then step this way, take off your bathrobe and relax into this aural peregrination.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHot Chip were formed via the friendship between Alexis Taylor and Joe Goddard with Al Doyle, Felix Martin, and Owen Clarke completing the line-up. Subsequently, they’ve gone on to establish themselves as one of the UK’s most interesting acts – including nominations for Grammies and Mercury Music Prizes – with music that is contemplative yet also ecstatic.\u003c\/p\u003e\n\u003cp\u003eThe centrepiece of this mix are four new Hot Chip songs, including their reading of the Velvets’ ‘Candy Says’ whose lyric, “bluebirds fly over my shoulder” melts perfectly into the electronic birdsong of Kaitlyn Aurelia Smith’s ‘Who I Am \u0026amp; Why I Am Where I Am’. Keeping it in the family Alexis’s father Neil elegantly delivers an extract of the syntactically tortuous Finnegans Wake by James Joyce.\u003c\/p\u003e\n\u003cp\u003eThey have dug deep to winkle out some of the most interesting artists to emerge recently, from Beatrice Dillon, described by The Guardian as “the most thrilling new artist in electronic music”; Euro-dub maestros Rhythm \u0026amp; Sound’s elegant collaboration with Cornell Campbell, ‘King In My Empire’, while English composer Daniel Blumberg’s heart-stoppingly beautiful ‘The Bomb’ is a tour-de-force. If this is a bath, then release yourself to its warmth; Epsom salts for the soul. Sink in, let yourself go.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVINYL TRACKLIST\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Unmixed tracks with mixed\/unmixed track download code) \u003c\/p\u003e\n\u003cp\u003eA1 Christina Vantzou - At Dawn (2:51)\u003cbr\u003eA2 Hot Chip - Nothing's Changed (4:37)\u003cbr\u003eA3 Rhythm \u0026amp; Sound ft Cornell Campbell - King In My Empire (Burial Mix) (6:26)\u003cbr\u003eA4 Pale Blue - Have You Passed Through This Night (6:20)  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eB1 Suzanne Kraft - Femme Cosmic (4:43)\u003cbr\u003eB2 Fever Ray - To The Moon And Back (4:38)\u003cbr\u003eB3 PlanningToRock - Much To Touch (4:42)\u003cbr\u003eB4 Charlotte Adigery - 1,618 (5:59)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eC1 Mike Salta - Hey Moloko (4.05)\u003cbr\u003eC2 Matthew Bourne - Somewhere I Have Never Travelled (4:04)\u003cbr\u003eC3 Hot Chip - Candy Says (3:31)\u003cbr\u003eC4 Kaitlyn Aurelia Smith - Who I Am \u0026amp; Why I Am Where (5:21)\u003cbr\u003eC5 Beatrice Dillon - Workaround Two (4:22)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eD1 Hot Chip - Worlds Within Worlds (5:38)\u003cbr\u003eD2 Daniel Blumberg - The Bomb (4:59)\u003cbr\u003eD3 Nils Frahm - Ode (4:35)\u003cbr\u003eD4 Hot Chip - None Of These Things (4:04)\u003cbr\u003eD5 Neil Taylor - Finnegan's Wake excerpt (1:48)\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"Default Title","offer_id":50162153554234,"sku":"5060391093055","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0868\/6449\/4906\/files\/5060391093055.webp?v=1730331876"},{"product_id":"jon-hopkins-late-night-tales-vinyl","title":"Jon Hopkins: Late Night Tales (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eLate Night Tales welcomes UK producer and musician Jon Hopkins to the fold with a beautiful sequence of songs and music.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003eRequiem for a dream state. It’s possibly somewhere between heaven, hell, and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sitting and listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as coloring the whole damn picture in. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAfter releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno and David Holmes, produced King Creosote and via Eno, worked on three Coldplay albums. He released the breakthrough album 'Immunity' in 2013, which was nominated for the Mercury Prize. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. . Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contributes ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi \u0026amp; Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerizing ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePoet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with additional sound design by Hopkins.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e\"Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible. I hope you enjoy it\" - \u003c\/em\u003e\u003cstrong\u003eJon Hopkins\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eBen Lukas Boysen - Sleepers Beat Theme\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDarkstar - Hold Me Down\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHoly Other - Yr Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTeebs - Verbena Tea With Rebekah Raff\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNils Frahm - More\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSongs Of Green Pheasant - I Am Daylights\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJ√Ìnsi \u0026amp; Alex - Dan√Çell In The Sea\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEvenings - Babe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLetherette - After Dawn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJon Hopkins - Jon Hopkins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDavid Holmes - Hey Maggy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlela Diane - Lady Divine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFour Tet - Gillie Amma I Love You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSchool Of Seven Bells - Connjur\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePeter Broderick - And It's Alright - Nils Frahm Remix\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHealth - Before Tigers (Gold Panda Remix)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLast Days - Missing Photos\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBibio - Down To The Sound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA Winged Victory For The Sullen - Requiem For The Static King 1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHelios - Emancipation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRick Holland - I Remember (Exclusive Spoken Word Piece)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Lasgo","offers":[{"title":"Default Title","offer_id":50162196939066,"sku":"5060391090252","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0868\/6449\/4906\/files\/5060391090252.webp?v=1730332265"},{"product_id":"jon-hopkins-late-night-tales-vinyl-copy","title":"MGMT: Late Night Tales (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eFormed in 2002 in Brooklyn, New York the band consists of multi-instrumentalists Andrew VanWyngarden and Ben Goldwasser, both alumni of Wesleyan University. Their 2008 debut album ‘Oracular Spectacular’ spawned the almost ubiquitous hit singles ‘Kids’, ‘Time To Pretend’ and ‘Electric Feel’ while 2010’s follow up ‘Congratulations’ saw them embrace more of a progressive, guitar-driven sound.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe band’s Late Night Tales selection of post-punk, cult indie and counter-culture figureheads reflects the band’s multifaceted sound, and draws comparisons with contemporary dreampop\/chillwave\/shoegaze\/folk scenes on both sides of the Atlantic.\u003c\/p\u003e\n\u003cp\u003eThe listener finds MGMT presiding over the playlist \"after-the-after-party”; daybreak creeping through the curtains earlier than desirable, broken bodies lining the corridors, the emotionally bankrupt kept alive by timeless songs of heartache and longing.\u003c\/p\u003e\n\u003cp\u003eLuminaries The Velvet Underground, Suicide and Julian Cope, although not with their most famous songs, sit alongside less familiar names such as Disco Inferno; whose ‘Can’t See It Through’ from their final ‘96 album ‘Technicolour’ opens proceedings.\u003c\/p\u003e\n\u003cp\u003eMGMT’s exclusive cover of ‘All We Ever Wanted Was Everything’ by Bauhaus sits comfortably alongside the UK post-punk-gothic band’s peers The Durutti Column, The Chills, The Jacobites and Felt’s brief but imposing instrumental ‘Red Indians’.\u003c\/p\u003e\n\u003cp\u003eParanoia strikes deep: the double header of Cheval Sombre’s ‘Troubled Mind’ and ‘Drug Song’ by 60’s Christian folk singer Dave Bixby accentuate the hope offered by the ever penitent Spacemen 3 (MGMT’s second album ‘Congratulations’ was recorded with founder Pete Kember aka Sonic Boom), who deliver ‘Lord Can You Hear Me?’ in respect to the beautiful closer ‘Morning Splendor’, taken from Pauline Anna Strom’s rare ‘82 LP ‘Trans-Millenia Consort‘.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eDisco Inferno - Can't See Through It\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Great Society - Love You Girl\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSuicide - Cheree\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTelevision Personalities - Stop And Smell The Roses\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFelt - Red Indians\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Velvet Underground - Ocean\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJulian Cope - Laughing Boy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDurutti Column - For Belgium Friends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCharlie Feathers - Mound Of Clay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMark Fry - For Wilde\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMGMT - All We Ever Wanted Was Everything (Bauhaus Cover)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCheval Sombre - Troubled Mind\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDave Bixby - Drug Song\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Jacobites - Hearts Are Like Flowers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Chills - Pink Frost\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMartin Rev - Sparks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Wake - Melancholy Man\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpacemen 3 - Lord Can You Hear Me?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePauline Anna Strom - Morning Splendor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePaul Morley - Lost For Words Part 2\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bertus","offers":[{"title":"Default Title","offer_id":50162209325370,"sku":"8801571172606","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0868\/6449\/4906\/files\/8801571172606.webp?v=1730332583"},{"product_id":"air-late-night-tales-vinyl","title":"Ólafur Arnalds: Late Night Tales (Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eStanding at the intersection where techno meets classical music, Ólafur Arnalds directs the newest Late Night Tales.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter releasing the breakthrough album ‘And They Have Escaped The Weight Of Darkness’, in 2014 he was awarded a BAFTA for best original music for the TV series Broadchurch. Arnalds’ music has a quietude that seems perfectly apposite and that’s evident here as each song drifts like an autumn wind towards the next.\u003c\/p\u003e\n\u003cp\u003eArnalds has enlisted the help of a few of his countrymen for the journey out west – electronic bands Samaris and Hjaltalín – and just as his records manage to combine the experimentalism and adventure of electronic music with a classical sensibility, here he weaves them perfectly, using tracks like Koreless’ brilliant post-dubstep ‘Last Remnants’ alongside the enigmatic brilliance of Jai Paul. It’s a perfect musical landscape that is eerie yet beautiful, as on Odesza’s ‘How Did I Get Here’.\u003c\/p\u003e\n\u003cp\u003eAs if Ólafur wasn’t spoiling us enough, he offers up three exclusives: his own ‘Kinesthesia I’ and ‘RGB’ and ‘Orgoned’ by his techno side project Kiasmos. Alongside that we have the obligatory cover version (Destiny’s Child’s ‘Say My Name’) and also a Late Night Tales debut for David Tennant, reading a story by Anam Sufi, with whom Ólafur worked on Broadchurch.\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan style=\"font-style: italic;\"\u003eWhen I was asked to do the next installation of the Late Night Tales series I thought \"This will be fun and easy, only a couple of days work. No problem!\". Six months later, I was still pulling my hair out in some kind of quest to make the perfect mix. As someone who has never really done mixes before, I learned a lot of things along the way and the whole experience was very inspiring. I decided to approach the mix in a similar way as I would one of my scores. This is the soundtrack of my life. I included songs from many of my friends and collaborators and tried to deliver a mix that represents who I am as an artist and where my influences are coming from - both personally and musically.\u003c\/span\u003e”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eÓlafur Arnalds, April 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVINYL TRACKLIST\u003c\/strong\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(2 x 180 gram virgin vinyl version. Unmixed tracks with download codes for mix and unmixed tracks as flac\/wav\/mp3)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA1 Hjálmar Lárusson and Jónbjörn Gíslason - Jómsvíkingarímur - ýta feldi eigi rór (1:13) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA2 Julianna Barwick - Forever (5:30)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA3 Koreless - Last Remnants (4:20) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA4 Odesza - How Did I Get Here (Instrumental) (2:10)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA5 Anois - A Noise (4:06)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eB1 Samaris - Góða Tungl (4:11) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eB2 Ólafur Arnalds - RGB (5:02) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eB3 Rival Consoles - Pre (5:15) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eB4 Jai Paul - Jasmine (4:11)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eC1 Four Tet - Lion (Jamie xx Remix) (7:09) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eC2 James Blake - Our Love Comes Back (3:39) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eC3 Spooky Black - Pull (4:14) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eC4 Sarah Neufeld \u0026amp; Colin Stetson - And still they move (2:58)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eD1 Ólafur Arnalds ft. Arnór Dan - Say My Name (5:41)\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eD2 Kiasmos - Orgoned (6:00) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eD3 Ólafur Arnalds - Kinesthesia I (1:46) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eD4 Hjaltalín - Etheral (6:39) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eD5 David Tennant - Undone (3:36)\u003c\/span\u003e\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"Default Title","offer_id":50204031680826,"sku":"5060391090870","price":85.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0868\/6449\/4906\/files\/5060391090870.webp?v=1731036585"},{"product_id":"french-kiwi-juice-vinyl","title":"French Kiwi Juice (Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eUnder the name French Kiwi Juice or FKJ for short, Paris-based producer and multi-instrumentalist Vincent Fenton. He creates mellow tunes that sometimes utilises live looping techniques to blend hip-hop, jazz, soul, and electronic experimentation into new forms. \u003cspan\u003eThis is his self-titled 2017 debut album.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lasgo","offers":[{"title":"Default Title","offer_id":50204741075258,"sku":"3760239540643","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0868\/6449\/4906\/files\/3760239540643.webp?v=1731044376"},{"product_id":"computer-world-limited-yellow-vinyl","title":"Computer World: Limited Yellow (Vinyl)","description":"\u003cdiv class=\"tabContent review\"\u003e\n\u003cdiv class=\"albumContentSubModule\" id=\"review\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe last great Kraftwerk album, Computer World captured the band right at the moment when its pioneering approach fully broke through in popular music, thanks to the rise of synth pop, hip-hop, and electro. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs\u003cspan\u003e \u003c\/span\u003eArthur Baker\u003cspan\u003e \u003c\/span\u003esampled \"Trans-Europe Express\" for \"Planet Rock\" and disciples like\u003cspan\u003e \u003c\/span\u003eDepeche Mode,\u003cspan\u003e \u003c\/span\u003eOMD, and\u003cspan\u003e \u003c\/span\u003eGary Numan\u003cspan\u003e \u003c\/span\u003escored major hits, Computer World demonstrated that the old masters still had some last tricks up their collective sleeves. Compared to earlier albums, it fell readily in line with\u003cspan\u003e \u003c\/span\u003eThe Man-Machine, eschewing side-long efforts but with even more of an emphasis on shorter tracks mixed with longer but not epic compositions. While the well-established tropes of the band were used again -- electronically treated vocals, some provided by Speak and Spell toys; crisp rhythm blips; basslines and beats; haunting, quirky melodies -- there's a ready liveliness to the songs, like the addictive \"Pocket Calculator,\" with its perfectly deadpan portrait of \"the operator\" and his favorite tool, and the almost winsome \"Computer Love.\" Cannily, the lyrical focus on newly accessible technology instead of cryptic futurism and vanished pasts matched this new of-the-now stance, and the result was a perfect balance between the new world of the album title and a withdrawn, bemused consideration of that world.\u003c\/p\u003e\n\u003cp\u003eThe title track itself, with its lists detailing major organisations presumably all wired up, echoes the flow of\u003cspan\u003e \u003c\/span\u003eTrans-Europe Express, serene and pondering. \"Pocket Calculator\" itself is more outrageously fun, thanks to the technical observation that \"by pressing down a special key it plays a little melody.\" Others would take the band's advances and run with them, but with Computer World Kraftwerk -- over a decade on from their start -- demonstrated how they had stayed not merely relevant, but prescient, when nearly all their contemporaries had long since burned out.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNed Raggett - Allmusic (4.5 Stars).\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Bertus","offers":[{"title":"Default Title","offer_id":50233568362810,"sku":"190295272302","price":75.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0868\/6449\/4906\/files\/190295272302.jpg?v=1731550705"}],"url":"https:\/\/titlemusicfilmbooks.com\/collections\/electronic-dance.oembed?page=6","provider":"TITLE ","version":"1.0","type":"link"}