{"products":[{"id":10346317381946,"title":"The Cars that Ate Paris \u0026 The Plumber (Blu-ray)","handle":"the-cars-that-ate-paris-the-plumber-blu-ray","body_html":"\u003cdiv class=\"OutlineElement Ltr SCXW12807258 BCX0\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Cars That Ate Paris \u003c\/em\u003e(1974), Peter Weir’s debut feature, is a dark satire set in the rural Australian town of Paris, where residents deliberately cause car crashes and repurpose the wrecks. Limited edition set also includes Peter Weir rarity \u003cem\u003eThe Plumber\u003c\/em\u003e (1979).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA new 4K restoration of Peter Weir’s cult Australian New Wave debut, available on Blu-ray in the UK for the first time.\u003c\/p\u003e\n\u003cp\u003eWhile travelling across Australia in search of work, two brothers collide with an oncoming car. The sole survivor is taken in by the residents of the nearby small town of Paris, but their strange behaviour—and the alarming number of road accidents in the area—quickly unsettles him. It soon becomes clear that the town’s feral youth rule the streets at night in souped-up cars, and the local hospital is overflowing with brain-damaged crash victims.\u003c\/p\u003e\n\u003cp\u003eShot in widescreen on Panavision cameras, Peter Weir’s (The Truman Show, Dead Poet’s Society) debut feature is a biting satire of small-town life. It was also one of Stanley Kubrick’s favourite films and a direct inspiration for George Miller’s Mad Max series.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis limited edition two disc set also include Peter Weir’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Plumber. \u003c\/em\u003eThis made-for-television psychological thriller follows an anthropology student and her husband whose lives are disrupted when an over-familiar plumber begins intrusive ‘repairs’.\u003c\/p\u003e\n\u003cp\u003eDigitally remastered by the National Film and Sound Archive of Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eRegion B Blu-ray: Australian compatible\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 class=\"header_lvl2 hideSmall\" data-feature-title-field=\"\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSpecial Features\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eLimited edition 2-disc set\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eNewly restored in 4K by the National Film \u0026amp; Sound Archive of Australia and presented in High Definition\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eNewly\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003erecorded audio \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ecommentary on \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e by Dr Stephen Morgan\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eMy First Film: Terry Camilleri on The Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e (2026)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e: \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003enewly recorded interview with one of the stars of the film\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eInterview with Peter Weir\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e – \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(2003, 11 mins): archive interview with the director\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eGuardian Interview: Peter Weir\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(1985\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, 70 mins, audio only\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e) \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eextensive interview with the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e acclaimed director, recorded around the release of \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ePeter Weir’s \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eOscar\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e-winning film \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eWitness\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e3 T\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eo Go: Michael \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(197\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e0\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, 3\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e1\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e mins): \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ethree young filmmakers, of whom Peter Weir was one, were commissioned by the Australian Commonwealth Film Unit to each \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ewrite and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e direct a half-hour fiction drama on the theme of ‘Youth’. These were combined for cinema release as \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e3 To Go\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e. \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eMichael\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e was Weir’s contribution to the project\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eNobody Leaves Paris! No One!\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e’ \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e(2026, 15 mins): a newly commissioned video essay by Chris O’Neill looking at \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris  \u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eInterview with Hal McElroy (2008, 6 mins): \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ean interview with the one of the producers of \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e, originally recorded by filmmaker Mark Hartley for his documentary \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eNot Quite Hollywood\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e (1979, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e7\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e7\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e mins\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e): remastered in 2K, Peter Weir’s made-for-television thriller \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003efollows an anthropology student and her husband whose lives are disrupted when an over-familiar plumber begins intrusive ‘repairs’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eNewly recorded audio commentary on \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eby Alexandra Heller-Nicholas and Josh Nelson\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eIncredible \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW62674914 BCX0\"\u003eFloridas\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e (1972, 13 mins): \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ea\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eportrait\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e of \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eAustralian composer Richard Meale \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eInterview with Peter Weir\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e – \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(2003, 8 mins): archive interview with the director \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003ePeter Weir's Dream within a Dream \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(2026, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e1\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e8\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e mins\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e: sparked by the discovery of rare outtakes from \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003ePicnic at Hanging Rock\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ethis \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003enewly made \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ework\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e by \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ePolish \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003efilmmaker \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eJakub Duszynski offers \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003enew \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003einsight into Weir’s \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e1975 masterpiece\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eTrailers\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eImage galleries \u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"Paragraph SCXW62674914 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eIllustrated booklet featuring a new written interview with Peter Weir, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ean original \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ereview\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eessay\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e on \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eby Dr Stephen Morgan and on \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e by \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eTara Judah and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e writing about his short films by Peter Weir\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2026-07-07T17:20:20+10:00","created_at":"2026-07-07T16:38:41+10:00","updated_at":"2026-07-08T10:37:42+10:00","vendor":"Lasgo","product_type":"Blu-ray","tags":["Australian Cinema","BFI","Blu-ray","British Film Institute","Peter Weir"],"variants":[{"id":53692812624186,"title":"Default Title","option1":"Default 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lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW167902601 BCX0\"\u003estimulating \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW167902601 BCX0\"\u003etake\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW167902601 BCX0\"\u003e on the Dracula story starring Klaus Kinski, with echoes of Murnau’s 1922\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW167902601 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW167902601 BCX0\"\u003e Nosferatu\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW167902601 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW167902601 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{\" class=\"EOP SCXW167902601 BCX0\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW12807258 BCX0\"\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003eJonathan Harker (Bruno Ganz, \u003c\/span\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003eDownfall\u003c\/span\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e) lives with his wife, Lucy (Isabelle Adjani, \u003c\/span\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW12807258 BCX0\"\u003eLa R\u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW12807258 BCX0\"\u003eeine\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW12807258 BCX0\"\u003e Margot\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW12807258 BCX0\"\u003e), in the idyllic town of Wismar where he works as an estate agent. In spite of grim omens, Harker ventures deep into the Carpathian Mountains to close a property deal with the strangest of clients, the sickly, tormented Count Dracula (Klaus Kinski, \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003eAguirre, The Wrath of God\u003c\/span\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e). \u003c\/span\u003e\u003cspan data-ccp-props=\"{\" class=\"EOP SCXW12807258 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW12807258 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW12807258 BCX0\"\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003eHerzog’s masterful contribution to the vampire canon is both a tribute to the 1922 silent \u003c\/span\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003eNosferatu\u003c\/span\u003e\u003cspan class=\"TextRun SCXW12807258 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW12807258 BCX0\"\u003e and a thoughtful chiller in its own right. Kinski’s exquisite performance, Herzog’s painterly images and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW12807258 BCX0\"\u003ePopul\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW12807258 BCX0\"\u003e Vuh’s ethereal music combine to create one of horror cinema’s most hypnotic and seductive experiences.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{\" class=\"EOP SCXW12807258 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eRegion B Blu-ray: Australian compatible\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 data-feature-title-field=\"\" class=\"header_lvl2 hideSmall\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSpecial Features\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW248513058 BCX0\"\u003eNewly remastered in 4K and presented in High Definition\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW248513058 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW248513058 BCX0\"\u003eIncludes both the German and English language versions of the film\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW248513058 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW248513058 BCX0\"\u003eAudio commentary with Werner Herzog \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003eand critic Norman Hill\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW248513058 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW248513058 BCX0\"\u003eAdditional audio commentary with Werner Herzog and \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003efilmmaker\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003e Laurens Straub (in German with English subtitles)\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW248513058 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003eIntroduction by Mark Kermode (2016, 3 mins)\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW248513058 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003eContracting Vampirism: A Copyright History of Nosferatu\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003e (2025, 15 mins): a new video essay by filmmaker and photographer Nic Wassell\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW248513058 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003eScreen Talk: Werner Herzog\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW248513058 BCX0\"\u003e (2016, 69 mins): Werner Herzog reflects on his career in this on-stage interview with broadcaster Francine Stock at the BFI London Film Festival \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW248513058 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003eMaking of Nosferatu the Vampyre\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW248513058 BCX0\"\u003e (1979, 13 mins): Herzog discusses the film and his philosophy of filmmaking alongside behind-the-scenes footage of the cast and crew\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW248513058 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW248513058 BCX0\"\u003eOriginal theatrical trailer\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW248513058 BCX0\" 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itemprop=\"description\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eScrewball sparks fly when Cary Grant and Katharine Hepburn let loose in one of the fastest and funniest films ever made—a high-wire act of invention that took American screen comedy to new heights of absurdity. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHoping to procure a million-dollar endowment from a wealthy society matron for his museum, a hapless paleontologist (Grant) finds himself entangled with a dizzy heiress (Hepburn) as the manic misadventures pile up—a missing dinosaur bone, a leopard on the loose, and plenty of gender-bending mayhem among them. \u003c\/span\u003e\u003cem\u003eBringing Up Baby\u003c\/em\u003e\u003cspan\u003e’s sophisticated dialogue, spontaneous performances, and giddy innuendo come together in a whirlwind of comic chaos captured with lightning-in-a-bottle brio by director Howard 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selected-scene commentary about costume designer Howard Greer featuring costume historian Shelly Foote\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eHoward Hawks: A Hell of a Good Life\u003c\/em\u003e, a 1977 documentary by Hans-Christoph Blumenberg featuring the director’s last filmed interview\u003c\/li\u003e\n\u003cli\u003eAudio interview from 1969 with Grant\u003c\/li\u003e\n\u003cli\u003eAudio excerpts from a 1972 conversation between Hawks and Bogdanovich\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003ePLUS: An essay by critic Sheila O’Malley and the 1937 short story by Hagar Wilde on which the film is based\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2026-07-07T16:22:27+10:00","created_at":"2026-07-07T16:19:44+10:00","updated_at":"2026-07-08T10:37:42+10:00","vendor":"Lasgo","product_type":"Blu-ray","tags":["4K restoration","American Cinema","Classic 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Originally released on Polydor Brazil, this was the fourth in a series of Tim's self-titled albums - and many fans and critics still consider it the crown jewel. Packed with irresistible hooks, lush arrangements, and that unmistakable Tim Maia swagger, the album captures the singer at the peak of his creative powers.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis record has everything: deep grooves, soaring strings, magnetic vocals, and that unmistakable sense of joy that Tim Maia carried into every session. 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